I joined Crunchyroll in March 2008 as their first business hire just five business days after congratulating them on announcing their Series A funding. The next day, we flew to Japan, and within six months we had lined up key Read more…
I got to Capcom as a spunky kid who had worked all of a few months in game testing and run his own anime convention. So how, just a short time after my 2+ year stint at Capcom, did I Read more…
Japanese manga, anime, and video game characters are beloved across the globe (and happen to generate big business), but when it comes to Japanese intellectual property (“IP“) rights, have you ever heard things like “They won’t accept any deals!” or Read more…
Before I went to Netflix in April of 2020, I had never been in a role directly mapped to marketing. Throughout my career I’ve launched plenty of products — at big companies, startups, and even on my own — but Read more…
The day is finally here! The Witcher: Nightmare of the Wolf is now streaming on Netflix, so I’d like to take the time to recognize the outstanding work of our Creative Studio team (and cross-functional partners) on the creative campaign. Read more…
The anime community and industry has lost one of its brightest lights today, and I have lost a friend. Zac Bertschy has passed away, and now we are missing a part of ourselves, like suddenly a vital organ vanished into thin Read more…
